#BallotBattle: Richmond’s Social Struggle for Suffrage
To highlight the 100th anniversary of the ratification of the 19th Amendment, #BallotBattle: Richmond’s Social Struggle for Suffrage uses modern social media platforms to profile five Richmond viewpoints and the racial and generational tensions that each exposed. Between 1909 and 1920, both pro-suffrage and anti-suffrage advocates battled tenaciously, using all the platforms available to persuade both the legislature and the general public. While they could not use Twitter or Facebook, they did rely on newspapers, broadsides, pamphlets, postcards, banners, and personal accessories to proclaim their viewpoints. Just like our complicated social media battles today, the final political and legal outcome was never a foregone conclusion.
Monument Avenue: General Demotion/General Devotion
Following Monumental: Richmond’s Monuments (1607-2018), the Valentine is hosting Monument Avenue: General Demotion/General Devotion. The Storefront for Community Design and the mObstudiO at Virginia Commonwealth University School of the Arts invited teams of planners, architects, designers, artists and individuals to participate in a national design competition to conceptually re-imagine Monument Avenue and contribute to the ongoing dialogue about race, memory, the urban landscape and public art. The finalists are featured in this one-of-a-kind exhibition at the Valentine.
Visit www.monumentavenuegdgd.com for details.
Developing Richmond: Photographs from the Cook Studio
When photographer George S. Cook relocated with his family to Richmond in 1880, he arrived in a city caught between the old and the new: Richmond bustled with post-Civil War construction and economic enterprise even while it held onto the antebellum social and political order.
Acquired by the Valentine Museum in 1954, the Cook Studio’s more than 10,000 negatives and prints visually document Richmond at the turn of the 20th century. Experience imagery taken by George and his son Huestis Cook of this conflicted and changing city.
Pandemic: Richmond explores the repeated storms of disease that have swept through the city. From influenza to cholera to polio to AIDS/HIV, this exhibition investigates how Richmonders have fought silent, invisible enemies and tells their stories of both loss and survival.
Additional support provided by
Pretty Powerful: Fashion and Virginia Women
The fashion industry in all its forms was one of the first industries to offer Richmond women of diverse backgrounds and colors an accepted professional path with prospects for personal agency. Communal participation is central to the success of the fashion industry. Through word of mouth, one woman’s social network can become another’s client base. At the same time, many of the Richmond women working in fashion have used their professional connections and successes to bring attention to the city and its industries.
In a superb display of high fashion and low from the 19th century to the present day, Pretty Powerful: Fashion and Virginia Women will examine the role of fashion in the professional, creative and social advancement of women in Richmond, Virginia.
made possible by our generous sponsors
Ms. Susan L. Klaus*
Mr. James W. Klaus*
Mr. and Mrs. Philip W. Klaus, Jr.
Mr. and Mrs. Bruce A. Kay
Mr. and Mrs. Thomas B. Valentine
Rejena Carreras and Tom Jones
Lori and Chris Evangel
Mr. and Mrs. Charles S. Luck III
Caroline Rennolds Milbank
Quirk Gallery and Verdalina
Jane L. Schwarzschild and V.R. Shackelford III*
Ms. Helayne Spivak
*Charter Member of the Valentine Costume and Textile Collective