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Richmond Story: Belle Bryan Day Nursery

All mothers work. But the title of “working mother” is now associated with contemporary history, tied to women’s employment. But mothers have always worked outside the home, especially mothers from poor households. Here in Richmond, major industries thrived on the exploitation of largely women workforces, both Black and white. Textile mills and some large operations within tobacco factories relied almost exclusively on women, who were paid very low wages to perform brutal jobs. Often, before child labor laws, children worked beside their mothers. If a child was too young to work, many factory-employed mothers left small children under poor supervision—sometimes by older children. Sometimes they had no choice but to leave their children unattended all day.

Female Tobacco Workers, Early 20th Century, Cook Collection 1138, The Valentine

A Richmond woman named Isobel “Belle” Lamont Stewart Bryan was well-aware of the struggles of working mothers. In 1887, Bryan helped to found the Richmond Woman’s Christian Association (later the YWCA), which provided women factory workers with hard-to-find safe, clean and affordable housing.  The RWCA also offered medical care, sewing classes, a library and religious instruction. As the daughter of a wealthy tobacco merchant, Belle Bryan did not have first-hand experience of economic hardship, so her concern for the plight of wage-earning women might seem surprising. She lived on a large estate on the North Side, called Brook Hill, and frequently traveled to Europe. And she undoubtedly had help raising her own six children. Perhaps her activism stemmed from what she witnessed at her father’s tobacco warehouse. Whatever the source, she quickly discerned that safe housing was not enough to help Richmond’s working women. In 1890, as chairman of the RWCA, she founded and chaired a free kindergarten and day nursery in the factory district for white children.

 

Belle Bryan Day Nursery opened at 6:30 a.m. and accepted babies as young as one month old. As the children arrived, they immediately received a bath and clean clothes. Their days included nourishing meals, nap time, play time, education and even medical exams by a nurse. For all this, mothers paid the small sum of 15 cents per week. And they could proceed to their long, exhausting workday with peace of mind, knowing that their children were safe and fed. The kindergarten was free. Of course, operating costs far exceeded 15 cents per week, per child, so Bryan became a tireless fundraiser. She received grants from City Council and larger charities, solicited churches and organized fundraisers to keep the charity afloat. Fancy dress balls at The Jefferson Hotel made charitable giving to the nursery a highly anticipated fashion event for Richmond’s elite families.

Belle Bryan Day Nursery, Circa 1919, Cook Collection 1207, The Valentine

In 1898, the nursery moved to rented quarters 201 N. 19th Street, where it remained for 45 years. By the 1950s, the nursery moved to a larger rented space downtown and charged on a sliding scale, according to need: from ten cents to two dollars a day. In 1961, the nursery erected its own building at 610 N. 9th Street to accommodate the 75 children in its care.

A rapidly changing downtown, however, began to cut the nursery off from its mission. Urban renewal throughout the 1960s had pushed many poor residents out. “Slum clearance” programs, highway construction and newly constructed superblocks of government buildings and parking lots turned a bustling city center into a white-collar business district. Factories moved to isolated suburban locations. Citing these changes, the Belle Bryan Day Nursery ceased operations in 1971. The progressive charity had been ahead of its time for 80 years and it closed just as Women’s Liberation Movement began to take off and the term “working mother” took on a whole new meaning.

New Valentine Exhibition Recognizes Women’s Advancement through Fashion

FOR IMMEDIATE RELEASE
March 1, 2018

Contact:
Eric Steigleder
Director of Public Relations & Marketing
esteigleder@thevalentine.org

New Valentine Exhibition Recognizes Women’s Advancement through Fashion

Photo courtesy Jay Paul/Richmond Magazine

Day ensemble worn by Nathalie L. Klaus, 1972, Cotton voile, V.88.237.12a,b, Hanae Mori, Courtesy Jay Paul/Richmond magazine

RICHMOND – A new exhibition exploring fashion as central to the professional, creative and social advancement of women in Richmond will debut at the Valentine on April 26.

Entitled Pretty Powerful: Fashion and Virginia Women, this unique exhibition will explore how fashion offered Richmond women of diverse backgrounds and experiences an accepted professional path with prospects for personal agency.

“In this deep dive into the history of Richmond women working and living in fashion, the Valentine’s costume and textiles collection has revealed one treasure after another,” said Kristen Stewart, the Nathalie L. Klaus Curator of Costume and Textiles. “The styles in Pretty Powerful: Fashion and Virginia Women are as stunning as the stories are inspiring. “

Pretty Powerful emphasizes the role Richmond women have played in bringing greater awareness to the city and its industries. From the 19th century to the present day, this exhibition highlights how women designers, producers and consumers of fashion have sought their own means of empowerment, using their talents and expertise to help shape the cultural landscape of Richmond in the process.

“This exhibition is a perfect example of the Valentine’s dedication to sharing unique and timely Richmond Stories,” said Valentine Director Bill Martin. “As we continue to grapple with the nationwide discussion about the experiences of women in professional settings, Pretty Powerful provides a compelling narrative of empowerment, accomplishment and success.”

Pretty Powerful: Fashion and Virginia Women will be on-view at the Valentine from April 26, 2018 to January 27, 2019 in the Nathalie L. Klaus Gallery on the lower level.

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About the Valentine

The Valentine has been collecting, preserving and interpreting Richmond stories for more than a century. Through collections, exhibitions and programs, the Valentine provides residents and tourists the opportunity to discover the diverse stories that tell the broader history of this important region. The Valentine offers major changing exhibitions, which focus on American urban and social history, costumes, decorative arts and architecture. https://thevalentine.org/

About the Valentine Costume and Textiles Collection
The Costume and Textiles Collection at the Valentine comprises over 30,000 dress, accessory and textile objects made, sold, worn or used in Virginia from the late 18th century to the present day. The largest of its kind in the American South, this collection enjoys an international reputation among fashion and textile scholars.